It’s been far too long since I posted any sort of cohesive collection of photos – the inconveniences of life continue to intrude – but having been out shooting a bit more recently I think I can finally rectify the situation. I recently returned to one of the places I’ve visited and photographed many times over the years: Copake Falls State Park, and specifically the dyslexically-named Bash-Bish Falls contained therein.
The latter is a roughly 60-foot waterfall that spills to both sides of a large rock formation, pouring into a deep pool before flowing down into a series of smaller falls and eventually a fast-moving woodland stream. As one might expect, it is particularly dramatic in spring as the surrounding areas drain into the gorge above.
After the usual hours of deliberation over what camera(s) and film to carry, I ended up resisting the temptation to carry half my collection with me and took one camera and one lens: my Canon L1 with the Canon 35/2.8 and a yellow K2 filter, loaded with Tri-X. The reasoning – beyond trying not to get bogged down with gear – was that most of the time I shoot with normal lenses, and I need to practice with the wides. Plus the new L1 needed to be exercised.
The surrounding park is on a steep ridge in the southern Berkshires straddling New York and Massachusetts (the falls are on the MA side of the line), primarily made up of massive bedrock formations covered with pine forests. There are several ways to get to the falls, but the most interesting is a trail that wends its way down from an overlook parking area, plunging steeply through the dense woods – so dense that the only sign you’re getting close is the increasing roar of the water – before emerging to meet another trail just before the falls.
The sun was going in and out. There was a front moving in, and the wind was blowing heavy clouds low and quick toward the east, even squeezing out a few drops of rain every once in a while. Because the light was changing so much, I ended up shooting a bunch of scenes twice, once in bright sun and once in shade. Not surprisingly, perhaps, the former ended up generally being too high contrast. The shots posted here were all taken in at least somewhat subdued light.
I was happy with my gear selection. The Canon 35/2.8 is a great little lens, and the Canon rangefinder bodies suit me very well. The high resolution of the lens did a good job rendering the complex textures of the rocks and trees – I was particularly happy with the way it juxtaposed the rock surfaces against the relative smoothness of the water. And Tri-X is never a bad choice.
Incidentally, in case anyone is still awake and reading this far down the page, I’d like to note that this is the 200th post here at Filmosaur. Whether you’ve been wasting your time here since the beginning or just only started doing so, thanks for reading and clicking.