As promised, here is a second set of pinhole shots in advance of Worldwide Pinhole Photography Day; same roll of Kodak Ektar, same pinhole-converted Brownie Flash Six-20 camera. The first set can be found here.
I was pretty happy with the way the shadows held up on these, particularly in terms of the edge detail. Granted, these were hard shadows in bright sunlight, but I was a bit surprised that a pinhole still rendered small, complex shapes relatively clearly. Look at the decorative shapes on the top of the fence as an example.
You can’t see it very well in the scaled-down full frame below, but in the full-size scan the shadows of the individual slats that make up the backs of the chairs are distinct against the wall of the house. The big 6×9 negatives are a major factor, I’m sure (I’m quite skeptical that you’d anything like this much detail from a similar pinhole setup on a standard 35mm negative).
Here’s a crop of the detail. You can even make out the millwork on the rail posts. (Sorry for the dusty scan; I didn’t have time to clean them up, and the dust doesn’t show in the scaled-down versions.)
With all this talk about sharpness and detail (which is really a bit silly; if one really wanted sharp, detailed photos, a pinhole camera would be pretty low on the list or preferred equipment), I would be remiss if I didn’t include this last shot. It was the last on the roll, and shot directly into the light. Apparently this can produce a weird rainbow tie-dye effect as the light passes through the aperture. I’m sure I couldn’t repeat this if I tried.
That’s all the practice I’m going to get before Sunday, so we’ll see how it goes. Happy pinholing!